fragments
satellite works

Alongside the main bodies of work, the practice extends into a series of fragmentary and satellite projects. These works operate as variations and focused studies within the broader scope of the practice, often testing specific visual, material, or linguistic systems in more immediate or provisional forms.

Rather than existing outside the main practice, these works function as points of pressure within: isolated gestures that return to recurring topics around memory, gaze, identity, landscape, and modes of address. They allow for shifts in scale, medium, and tone, while remaining connected through an underlying attention to how images carry emotional, symbolic, and experiential weight.

Taken together, these fragments form a dispersed but coherent field of enquiry, where each entry operates independently while contributing to an evolving constellation of ideas across the wider artistic practice.

portrait / figure studies

how the body becomes an image through the act of looking

This group of works explores the body as a site of projection, concealment, and constructed identity. Through painting and mixed media, figures are often partially obscured or reoriented away from direct recognition.

Works such as je rêve de toi(2025) and your gaze paves the crown of my head (2022) consider how the act of looking produces identity, and how absence can intensify presence. The body becomes a surface for inscription where intimacy, perception, and projection intersect.

liminal nature

nature as threshold space: memory, myth, instinct, displacement.

This constellation of works engages landscape as a psychological and symbolic field. Forests, thresholds, and transitional spaces are treated as sites of memory, projection, and transformation.

In works including the meet me by the birch trees (2022) or the vulpes vulpes (2022) series, the fox appears as a recurring liminal figure moving between concealment and emergence. These works consider landscape as a space where narrative and instinct overlap.

epistolary systems

language as unstable contact between selves, distances and projections

This body of work explores language as a fragile and incomplete system of address. Through postcard formats, handwritten fragments, and experimental text-based works, communication is treated as partial, delayed, or unresolved.

scáil.mail functions as a system of displaced messages (sent, withheld, or returned), where writing becomes a space of partial connection between self and other. These works consider how meaning shifts across distance and how language transforms in the act of transmission.

This archive is still in progress. Additional images and media will follow as the work unfolds.
Thank you for your patience.

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one hundred headless women